April 8, 2014
Read my musings on Jordan Wolfson’s (Female figure) at David Zwirner Gallery (via Sweet Dream Or A Beautiful Nightmare: The Uncanny Horror of Jordan Wolfson’s ‘(Female figure)’)

Read my musings on Jordan Wolfson’s (Female figure) at David Zwirner Gallery (via Sweet Dream Or A Beautiful Nightmare: The Uncanny Horror of Jordan Wolfson’s ‘(Female figure)’)

March 9, 2014
Starting off Filthy Dreams’ series Whitney Biennial Solos, I take a look at Bjarne Melgaard’s queer dystopia installation (via Whitney Biennial Solos: Bjarne Melgaard’s Queer Dystopia)

Starting off Filthy Dreams’ series Whitney Biennial Solos, I take a look at Bjarne Melgaard’s queer dystopia installation (via Whitney Biennial Solos: Bjarne Melgaard’s Queer Dystopia)

March 9, 2014
Read my review of Sean Strub’s memoir Body Counts (via Sean Strub’s Archive of Feelings In ‘Body Counts: A Memoir of Politics, Sex, AIDS and Survival’)

Read my review of Sean Strub’s memoir Body Counts (via Sean Strub’s Archive of Feelings In ‘Body Counts: A Memoir of Politics, Sex, AIDS and Survival’)

March 9, 2014
Who is one of Filthy Dreams’ main role models? Of course, Buddy Cole!  (via Role Models: Buddy Cole)

Who is one of Filthy Dreams’ main role models? Of course, Buddy Cole! (via Role Models: Buddy Cole)

January 28, 2014
Read my long analysis of Leslie-Lohman Museum of Gay and Lesbian Art’s “Queer Threads: Crafting Identity and Community” and the possibilities craft brings to representing the multitudes of desires and experiences that make up queer individuals’ lives.  (via Crochet, Embroidery and Macramé, Oh My!: Finding The Queer In Craft At ‘Queer Threads’)

Read my long analysis of Leslie-Lohman Museum of Gay and Lesbian Art’s “Queer Threads: Crafting Identity and Community” and the possibilities craft brings to representing the multitudes of desires and experiences that make up queer individuals’ lives. (via Crochet, Embroidery and Macramé, Oh My!: Finding The Queer In Craft At ‘Queer Threads’)

January 17, 2014

Check out more of Gregoire Alessandrini’s photographs of 1990’s Times Square sleaziness from The Deuce to The Playpen and Show World and read some discussion on the disappearance of Times Square porn theaters, peep shows and adult video stores in They Were Cheap So You Could Be Too: Photographs Of 1990s Times Square Sleaze: http://filthydreams.wordpress.com/2014/01/16/they-were-cheap-so-you-could-be-too-photographs-of-1990s-times-square-sleaze/

All photos © Gregoire Alessandrini; via his website, New York City 1990′s

January 16, 2014
Read my review of legendary drag queen Linda Simpson’s debut photo-book PAGES on her friend, provocative transgender performer Page (via Our World Was All A Stage For Her Transgressive Ways: On Linda Simpson’s ‘Pages’)

Read my review of legendary drag queen Linda Simpson’s debut photo-book PAGES on her friend, provocative transgender performer Page (via Our World Was All A Stage For Her Transgressive Ways: On Linda Simpson’s ‘Pages’)

January 11, 2014
Read my review of Jessica Stoller’s exhibition Spoil at P.P.O.W. Gallery (via Rococo Raunch: Abject Femininity And Porcelain Provocations At Jessica Stoller’s ‘Spoil’)

Read my review of Jessica Stoller’s exhibition Spoil at P.P.O.W. Gallery (via Rococo Raunch: Abject Femininity And Porcelain Provocations At Jessica Stoller’s ‘Spoil’)

December 16, 2013

Read my three-part series mapping out a haphazard genealogy of Mike Kelley’s work and his trash aesthetic on view at MoMA PS1

Here are the links to the essays in full:

Who Was Mike Kelley: A Genealogy of Dangerous Blue-Collar Trash Aesthetics (Part 1)

Who Was Mike Kelley: A Genealogy of Dangerous Blue-Collar Trash Aesthetics (Part 2)

Who Was Mike Kelley: A Genealogy of Dangerous Blue-Collar Trash Aesthetics (The Finale)

December 2, 2013
Check out my review of Beth B’s new film Exposed on the neo-burlesque scene in New York (via Freedom In Vulgarity: Burlesque As Activism In ‘Exposed’)

Check out my review of Beth B’s new film Exposed on the neo-burlesque scene in New York (via Freedom In Vulgarity: Burlesque As Activism In ‘Exposed’)

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